Shot in Polyvision... the film shifts aspect ratios to blur the line between memory, performance, and reality... reflecting Misha’s fractured perspective. We used TLS-rehoused LOMO anamorphics... chosen for their dreamy imperfections... flares, breathing, and edge distortion that add raw emotion to every frame. This old Soviet glass gave the story a timeless... tactile... almost haunted feel... grounding the surreal in something real. This was the first of three videos we’ve created in collaboration with Myranda Pugh (manager) and Misha Fair (artist)... a project that set the tone for a bold, cinematic visual language we’ve continued to build together.